戲劇批評家

戲劇批評家應具備良好的理論素質、完備的藝術修養和豐富的舞台知識，對戲劇藝術本身應具有精細的觀察力，敏鋭的判斷力，深切的理解力和透徹的感悟力.同時還需具有公正、坦誠、嚴肅、認真的批評準則，通過自己獨特的批評視角，透過一般的戲劇藝術表象，挖掘出別人看不到或忽視了的戲劇藝術的深層內涵.戲劇批評的性質是一種二度創作，因此，戲劇批評家必須尊重原作的客觀事實，對戲劇藝術的實際存在意義做出恰如其分的評析.戲劇批評家的主要任務是：（1）以自己卓有成效的批評，指導戲劇藝術創造者的藝術實踐活動，既包括對戲劇文學的評析，也包括對舞台表演諸因素的評析，同時還要注意區分，一台戲劇演出的成功，何者應歸功於原作的藝術魅力，何者應歸功於演員的卓越表演.反之，對於不成功的戲劇演出，也應具體分析.（2）以自己卓有成效的批評，指導戲劇藝術的愛好者和觀賞者的審美活動，對其審美情趣發揮積極的引導作用，以提高其對戲劇藝術的欣賞水平.（3）在廣泛研究和實踐的基礎上，對戲劇藝術的發展規律做出全面總結和理論創見.戲劇批評家既應當切忌為趨炎附勢而人云亦云，也應當切忌為標新立異而吹毛求疵. Theatrical criticism of responsibility, and in the long-term practice has made certain achievements professionals. Theater critics, should have a good theoretical quality, artistic accomplishments and rich sound stage knowledge,dramaticart in itself should have a detailed observation , perspicacity, deep and thorough understanding of the insights edge. At the same time need to have a fair, honest, serious, serious criticism of the criteria, by their own unique critical perspective, through the dramatic art in general appearance,tapout the others to seeLessthan or ignored the deeper meaning of the dramatic art. theatrical nature of the criticism is an ongoing creation, therefore, must respect the original drama critic of the objective reality of the dramatic art of the real meaning of the assessment made appropriately. play critical family's main tasks are: (1) to his fruitful criticism, the creator of dramatic art guide art practice, both in the assessment of dramatic literature, but also the factors for assessment of stage performances, while also note that the distinction between a Taiwan theater success, what should be attributed to the original art of charm, what actors should be attributed to the excellent performance. On the contrary, for the unsuccessful theatrical performances should also be a detailed analysis. (2) to their fruitful criticism, guidance Drama The fans and viewers of the aesthetic activity, its aesthetic taste to play an active role in the guidance to enhance their appreciation of dramatic art. (3) in a wide range of research and practice, based on the laws of development of dramatic art to make a comprehensive summary and theoretical imagination. theater critics should not only avoid theparrotto flatter those in authority should also avoid the fault-finding for the unconventional.