雅克與十一月

導演: Jean Beaudry/ François Bouvier

編劇: Jean Beaudry/ François Bouvier

製片國家/地區:加拿大

語言:法語

上映日期:1984-10-26

片長:72 分鐘

又名:Jacques and November

^[1] 

這是一個有趣的故事,講的是這部電影,之後在日本電影節篩選,觀眾驚呆了一次電影的主演來到舞台上。每個人都認為,這部電影表現了一個真正的死之人。

正如你可能猜,是一個pseudo-documentary NOVEMBRE雅克等,並有魅力——越來越多的事比實現渴望。這部電影在電影(射擊在色彩16毫米和黑白影像)是關於一個年輕的導演讓一個月的錄像日記(完整的標題卡開始每一天),具有他受傷的朋友。

給定的前提下,然而,太多的時間流逝之前,我們意識到這是這個故事,儘管我們度過了一個“月”與雅克,我們永遠不會真正知道更多關於他——即使他是什麼樣的人死於。同時,有些觀眾失望的結局可能會制約償清。這個月的發明創造不結束的領先人物的死亡。換句話説,我們剛看到一塊一個垂死的人——它會成為僅僅像任何其他在他大概是長月小毛小病。

獨自一人在為其努力創造實相和真理在小説,也是一部不容錯過的。儘管它的缺點,一個仍然是再來(我期待着第三觀看它)。另外,它是必要的學生觀看電影製片人。這部電影不僅説明了宏偉的抱負,容易陷阱這樣一個小電影,但他們也會來硬的就必須犧牲多少去實現他們的銀幕上的異象。有一個令人難忘的場景中,導演為了這一點使盡了渾身解數。

here is an amusing story about this movie; after its screening at a Japan film festival, the audience was astonished once the film's lead actor2 came onto the stage. Everyone thought that this film featured a real dying person.

As you might guess, JACQUES ET NOVEMBRE is a pseudo-documentary, and a fascinating one- more for what it aspires than what it achieves. This movie within a movie (shot in colour 16mm and black-and-white video) is about a young filmmaker who makes a month-long video diary (complete with title cards beginning each day), featuring his ailing friend.

Given the premise, however, too much time elapses before we realize this is the story, and even though we spent a "month" with Jacques, we never really know much more about him-- not even what he is dying from. Also, the ending may disappoint some viewers conditioned to expect a pay-off. This month does not end with the contrivance of the lead character's death. In other words, we are just seeing a piece of time of a dying man-- it could be just like any other month in his presumably long ailment.

For its efforts alone in creating reality and truth in fiction, it is a must-see. Despite its shortcomings, one still comes back for more (I'm looking forward to my third viewing of it). Plus, it is essential viewing for student filmmakers. Not only does the film illustrate the easy pitfalls of grandiose ambition with such a little movie, but also they would learn the hard way just how much one must sacrifice to realize their onscreen visions. There is a memorable scene in which the filmmaker sells everything he has in order to pay for this little project.

1985年

Tokyo International Film Festival(Special Jury Distinguished Award)

Jean Beaudry

1985年

Tokyo International Film Festival(Special Jury Distinguished Award)

François Bouvier