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上海大學電視文化研究中心

鎖定
電視文化研究中心的主要研究包括:結合當前影視文化的現狀和發展趨勢的影視審美文化研究,
中文名
上海大學電視文化研究中心
機構類別
研究中心
機構地點
上海大學
研究內容
電視文化

目錄

上海大學電視文化研究中心簡介

大眾文化與審美消費,各種電視節目的類型,電視劇類型及敍事中的審美特性,電視中的身體文化與狂歡,影視文化與先進文化,與現代主義、後現代主義思潮的關係等;從傳媒的視角研究受眾的審美心理、視像與遊戲、與性別、與暴力、與競技體育之間的聯繫及互動。電視文化中的教化功能,傳播功能,娛樂功能,影像思維,影像的信息和虛擬空間,電視與網絡的互動等;從電視與社會的角度研究電視發展與社會生態間的美學,電視的生產與社會化需要,電視與生活方式,以及有關國內外電視社會學的研究;從電視藝術的角度來重新探索電視藝術片、電視文學、電視藝術學的框架,電視劇的時空美學、語言、表演等特徵,也涉及到電視音樂與MTV、電視舞蹈、電視廣告以及DV與藝術、與影視產業的聯繫與悖論等;研究電視記錄片,包括紀錄片的觀念、形態、風格,中國紀錄片的發展歷程及現狀,中國紀錄片的文化策略,同時兼及電影美學和記錄電影的研究。電視文化研究中心成立以來已直接參與了市教委重點項目“廣播電視藝術學”的建設,參與了上海大學“電影學”博士點和上海市電影學重點學科的申報,先後完成了“明天影視藝術技術叢書”、“電視新視角叢書”、“影視新視野叢書”等,其中《影視美學導論》、《電視與審美》等著作先後獲上海市教學成果二等獎、中國高校影視學會一、二等獎。中心成員先後在國內重要刊物和國內外的重要影視理論研討會上,發表了論文80多篇。

上海大學電視文化研究中心英文簡介

The Center for TV Culture Studies has a far-reaching research agenda: from the perspective of the state and development trend of contemporary film and TV culture, it examines the relationships among film and TV culture, mass culture, aesthetic consumption, modernism, and postmodernism; from the perspective of media studies, it examines the aesthetic psychology of audience, the various functions inherent in TV culture, and the interaction between visual images and game, gender, violence and sports; from the perspective of sociology, it examines the relationship between the production of various TV programs and social need, and between TV consumption and everyday life; from the perspective of TV art, it examines the aesthetic characteristics of different genres of TV programs, and the relationships among MTV, advertisement, and DV. In addition, the Center also pays attention to documentary studies, especially the history, current state and cultural strategies of Chinese documentaries.
In addition to actively constructing the Key Discipline of Radio and TV Art Studies of Shanghai Municipal Education Commission and energetically contributing to Shanghai University’s application efforts for the doctoral program in film studies and Shanghai Municipal Key Discipline of Film Studies, the Center for TV Culture Studies has also published several series of books, such as Tomorrow Film and TV Art & Technology, New Viewpoints on TV, and New Perspectives on Cinema and TV, some books of which, such as An Introduction to Film and TV Aesthetics, and TV and Aesthetics, won the second prize of the Shanghai Municipal Teaching Achievements Grant and the first and second prizes of the grant awarded by the Chinese University Association for Film & TV Studies. Faculty members of the Center have published more than 80 papers on various prestigious journals and different domestic or international conferences.